![]() * Set the input device to "Analog Output PCM2902 Audio Codec" * Set the output device to "Analog Output PCM2902 Audio Codec" I am also using a Beringer Xenyx 302 USB Mixer. Here is what I did (documenting mostly for myself, and perhaps others). I can record from the Desktop without any audio effects, and I can record from my mic with effects, and without any echo (and without recording my both my natural voice AND my voice with effects). So, I finally got my system set up correctly after much trial and error. Wow, that looks amazing! I will try the app you suggested. If you're not doing much with audio, it might be okay, but if you're doing anything fancy at all, you'll want to move all of it outside of OBS - either a DAW or a physical console - and bring the completely-finished soundtrack into OBS, as its only audio source, to pass through unchanged. In the meantime, consider OBS to be a video-centric thing with only token audio, regardless of OS. There have been several requests to completely overhaul OBS's audio system, to make it more like a DAW or a professional console, but so far nothing has actually been done. Which is closer to the pro layout, but the Pan/balance really needs to move down, between Filters and Volume, Mono stays up top, and the Device selection needs to add a channel selector within the selected device. There's a reason that pro consoles are laid out the way they are, and this is not that layout!Ĭlick to expand.So.the Windows version has a different processing order? That's even more messed up! At least make them consistent! Output -> Track selection -> Stream and Recordingĭoes that sound about right? If so, then I'd call it good for the filters being independent for dual-mono, but seriously messed up for almost everything else.Putting my previous understanding together with your description, results in this new understanding: If the pan/balance and mono switch are both at the beginning, then all of the filters would be okay. ![]() If the mono switch is really at the *end*, after the filters, then some of the filters (Gate, Expander, Compressor, Limiter) become almost useless for dual-mono signals, because they respond to both but you only hear one. This works because the mono switch seems to be at the *end* of the chain instead of the beginning (every pro console that I've used had it at the beginning), but that begs the question then, of how the filters work. When using a stereo device for two independent mono signals (two XLR mics, for example, for two different people), OBS requires a "hack" to get those two independent mono's from the single stereo device: Have two copies of that stereo source, pan/balance each one hard left or hard right, and check the Mono box for both. ![]() Click to expand.That might answer a different question: ![]()
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